Homi bhabha hybridity essay

As Pittman points out, the “painting shows the Western ideal ideal of the naked, noble savage” (781). According to McCay, Nector Kashpaw’s story about the painting is a parody “on the Cooperian death of Uncas who falls to his death off a cliff” (161). Here Erdrich manages to simultaneously depict the construction of the dying Indian in the Euro-American cultural imagination and the Native American ironic reflection on the Euro-American representation. She achieves this by forming Nector’s conception of the relationship between art and reality as the one which confuses fiction and reality. This confusion results in a specific self-perception that conceives the Euro-American received image of the Indian as being identical with his actual self. Erdrich explores this confusion through Nector Kashpaw’s telling of the story of how he made a career as an actor playing the dying Indian in a Hollywood movie. The opening of “The Plunge of the Brave” promises a success story, a Hollywood career for the Native American:

Homi bhabha hybridity essay

homi bhabha hybridity essay

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